[E717.Ebook] Download PDF Rogue Leaders: The Story of LucasArts, by Rob Smith

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In 1982, George Lucas saw potential in the fledgling videogame industry and created his own interactive-entertainment company. Twenty-five years and dozens of award-winning games later, LucasArts has earned a prestigious place in the industry and in the hearts of gamers everywhere. Rogue Leaders is the first substantive survey of a videogame companya deluxe compilation that traces its history through never-before-published interviews. In addition, more than 300 pieces of concept art, character development sketches, and storyboards have been lavishly reproduced to showcase the creative talent behind such videogame classics as The Secret of Monkey Island, Grim Fandango, and Star Wars: Knights of the Old Republic, as well as games that were never publicly released. A thrill for millions of videogame and LucasArts fans around the world.

• Sales Rank: #1609864 in Books
• Brand: Brand: Chronicle Books
• Published on: 2008-11-26
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x 1.00" w x 9.25" l, 3.65 pounds
• Binding: Hardcover
• 256 pages

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• Used Book in Good Condition

Review

THEFORCE.NET
Fans of the classic LucasArts games (Monkey Island, Day of the Tentacle, Full Throttle, etc) will not be disappointed.

GAMESRADAR.COM
...this is the best possible kind of fan service: That which is richly deserved

MANIA.COM
Selected as one of 2008's Best Non-Fiction Genre Books!

QUICKSTOP ENTERTAINMENT
The book is packed with info and concept art, and is in many ways a nice blast from the past.

THE OFFICIAL STAR WARS BLOG
Coffee table books are sadly rare for us gamers, and one as well-crafted as this deserves a place in any gamers home.

About the Author
Rob Smith is the editor-in-chief of PlayStation: The Official Magazine. He lives in the San Francisco Bay Area.

George Lucas is the creator of the Star Wars saga and the Indiana Jones series. He lives in the San Francisco Bay Area.

Most helpful customer reviews

19 of 19 people found the following review helpful.
Good, but far from authorative
By Johnny Walker
Having been a long-time fan of LucasArts's greatest and most original games (The Secret of Monkey Island, Day of the Tentacle, Grim Fandango, et al), it's somewhat disappointing to learn that I know more about the titles than the author. While it is wonderful to see glimpses of rare production art, design documents and concepts for unfinished games, it's also a shame that the original content is light and even sometimes incorrect.

Rogue Leaders typically spends two pages per game. That could be enough room if the type size and line-spacing was that of a normal book or magazine article, but unfortunately here it amounts to little more than 300 words per game for bigger titles, like 'Day of the Tentacle' or 'Sam & Max', and even less for games like 'Loom'.

Major milestones, like 'The Secret of Monkey Island' get a mere 500 words, which means anecdotes, like the fact that the designers had to help package the first printing of SOMI themselves in order to make the shipping deadline, are unfortunately missing.

The book doesn't really have much of a narrative, either, and instead favours segmenting each game into its own mini-article. There is some attempt at the beginning to tell the story of the companies origins, but this seems to quickly evaporate once the company gets going.

This segmentation really works against trying to weave LucasArts's growth into a coherent tale, and the book often feels a bit confused as to where to turn next. You'll read about Monkey Island 1 (1990), its sequel (1991), Loom (1990), Day of the Tentacle (1993) and then Fate of Atlantis (1992) -- in that order.

There are also mistakes to found here, too. For example, the author makes no distinction between the two VERY different Indiana Jones 'Action' and 'Adventure' games for Last Crusade and Fate of Atlantis, printing design documents from both as if they belonged to the same game.

The lack of a strong narrative, added to the book's lightweight writing-style, means you never feel the highs and lows of the company's successes or failures. For example, after reading about the making of the early LucasArts title 'P.H.M Pegasus' and the split it caused within the company, you never find out if the game was successful or not.

As a companion to the recent exhaustive 'Making of...' Star Wars and Indiana Jones books, this is decidely a "lite" title, reading almost like a coffee-table book. Occassions when critical commentary is actually applied to the games is extremely rare, but its presence indicates that there could have been more.

Considering that articles of greater depth can be found for free on the internet, and considering this book's target audience is the die-hard fan, its light-weight style a very odd choice.

Why four stars, then? Simply because access to never-before-seen historical material, what there is of it, rises this book to the above-average. It's only a shame that Rob Smith wasn't able to create a definitive, exhaustive and authorative story of the life of LucasArts, because this most definitely is NOT it.

A quick note to adventure-game fans considering this book: Over a third is dedicated to the "golden age" of LucasArts, the rest focuses on the plethora of externally-developed Star Wars games.

17 of 17 people found the following review helpful.
Great book - could've been better - I know, I was there
By Richard G
I agree whole-heartedly with J.C. Walker's review - it's spot on. It's a beautiful book that's attractive and fun to look at, but the amount of actual information is spotty and in many places, poorly researched. I worked at LEC from '92 to '97, and then at Larry Holland's Totally Games after that for 6 more years, so I had a hand in many of the projects that are featured. It seems that very few people from those days were interviewed, and those interviews lean heavily toward the producer/project leader side of things. If Mr Smith had cast a wider net (and those who were with the company back then are quite easy to look up and contact), many glaring omissions and inaccuracies could have been avoided.

I certainly don't want this to sound like sour grapes at all. It's a beautifully done book and I would recommend it to any fan of LEC's games. Just be aware that it's a lightweight compendium rather than a historical document of the company. I wish more artists (far beyond myself) had been interviewed for the book, but then I suppose it might have ended up a few hundred pages fatter than its already ample 250 pages.

13 of 14 people found the following review helpful.
A Great Archive
By Arnim Zola
This is a good, comprehensive look at LucasArts. As someone who has played all of their point & click adventure games and some of their Star Wars ones, this book is a fascinating archive of storyboard/visualization artwork, background stories, domestic/international packaging artwork, posters, photos, and other internal documents.

If you're a reader of RetroGamer, you're probably accustomed to the lengthy "Making Of" articles which goes in depth and behind the scenes on classic games. The opposite is true of this book. Instead of the lengthy article with the tiny photos, you'll find less behind-the-scenes stories on a particular game and pages of large, beautiful production artwork. This book aims to provide a comprehensive view of LucasArts through the years rather than focusing on a particular game. You'll even see a few pages of canceled games like a Full Throttle's sequel and a few paragraphs on that hated Sar Wars fighting game (Masters of Teris Kasi or whatever it was called). It covers everything from the start through 2008 (Lego Indiana Jones, Clone Wars, Star Wars Unleashed).

The $40 Amazon price makes this an affordable, fun gift for anyone who has played the classic LucasArts games. Once this book goes out of print, prepare to watch the selling price of this book jump (just like those CD collections of LucasArts games).

I'm not sure what to make of George Lucas' foreword. I've never been a fan of the recent direction of LucasArts (No point and click adventure games. Two cancellations of a Full Throttle sequel. Oversaturation of Star Wars games. Unavailability of any classic games as WiiWare, on Xbox Live, PSN, etc). So I would have preferred a book that didn't have his stamp of approval on it. But perhaps that was the only way the author could access all of these documents. The George Lucas foreword is only a page long (3 short paragraphs actually) and pretty generic and worthy of a PR newsletter. I don't feel the foreword added anything to the book. In fact, George Lucas didn't even reference the book.

My only complaint about this book: I wish it were twice as long. At 250+ pages, it does a good job. But I wonder what awesome production artwork will never be seen by most people.

If you're curious about the cover, it's actually lenticular. You'll see all 4 images by changing your viewpoint.

LAST NOTE: I hate you Amazon for sending my copy of the book with a big ding on the covers' edges. Thanks for dropping it. You ship like a cow.

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[O140.Ebook] Download PDF Juarez: The Laboratory of Our Future, by Charles Bowden

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Juarez: The Laboratory of Our Time challenges the propaganda and the realities of the current relationship between the United States and Mexico, focusing on the more intimate connection between the border towns of El Paso and Juarez. Charles Bowden, who first brought attention to the story of the Juarez photographers in Harper's (December 1996), has written an uncompromising, piercing work that combines insightful and informed reporting with a poetic and wry style. His powerful text, integrated with brutal and revealing images by a group of unknown Mexican street photographers, takes on issues of NAFTA, immigration, gangs, corruption, drug trafficking, and poverty, uncovering a very different Mexico than generally depicted in the press and by the United States and Mexican governments.

Conditions in the impoverished colonias (urban settlements), work on maquiladora (foreign-owned factory) assembly lines, arrests and victims resulting from drug and gang violence, the hardships for women and children-- in short, everyday life in Juarez-- are all depicted here with an urgency and passion that could only grow from pure desperation. This group of guerrilla photographers, most of whom work for one of the daily newspapers in Juarez, earning the equivalent of only $50 to $100 per week (although the cost of living in Juarez is nearly that of El Paso), risk their lives daily with the photographs they take, alienating themselves from the local governments in both Juarez and El Paso, the police, the drug traffickers, and the gangs.

It is all too easy for the American media (and, consequently, the American public) to ignore the plight of the almost two million residents of a city seemingly so distant and foreign, yet the brutal irony is that many of these people-- our not-so-distant neighbors-- suffer directly from the effects of our "progress." Many Mexicans continue to work in subhuman conditions, with little hope of lifting themselves out of grinding poverty.

While Charles Bowden presents a riveting investigation of Juarez, its inhabitants, and its visual chroniclers, the renowned activist and writer Noam Chomsky offers in his introduction a bitingly critical account of NAFTA, suggesting its nullifying effect on democracy and the rights of both workers and consumers, and its underlying strategy for protecting the rich and powerful, and keeping everyone else in his or her place. In his afterword, the Uruguayan author Eduardo Galeano poses the question: Should the Third World really aspire to be more like the First World? His insider's look at contemporary North/South American relations reveals how the relationship between Juarez and El Paso can serve as a metaphor for U.S.-Latin American relations, and demonstrates the devastating toll United States policy and attitude knowingly take on human rights and the environment south of our border.

• Sales Rank: #511556 in Books
• Brand: Brand: Aperture
• Published on: 1998-04-15
• Original language: English
• Number of items: 1
• Dimensions: .67" h x 8.55" w x 9.90" l,
• Binding: Hardcover
• 136 pages

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• Used Book in Good Condition

Review
"A pattern [is] unfolding just across America's southwest border; the disappearance of scores, perhaps hundreds, of people at the hands of Mexican security forces. But nowhere have so many cases been reported as in Ciudad Juarez, possibly because Mexico's largest drug cartel is based here. The Chihuahua authorities have compiled a list of 100 people who have disappeared in the state this year alone. These disappearances are in addition to the scores of bodies dumped in ditches and fields around Juarez every year, most of them victims of drug or sexual violence....For its part, the Clinton Administration largely appears to have turned a blind eye toward the disappearances, consistently praising the Mexican Government's anti-drug efforts....Who is responsible for the disappearances?"--Sam Dillon, The New York Times

"They found her body out in the desert...[she] had been sexually assaulted and strangled....[This] tragedy is just one entry in a list of more than 80 young women who have been murdered in Juarez since 1993-- the worst string of mostly unsolved killings in Mexico's history."--Howard LaFranchi, Christian Science Monitor

"That Charles Bowden is a philosopher is eloquently demonstrated in Juarez: The Laboratory of Our Future, a work that shows us the Mexican border between Juarez and El Paso. Photographers risk their lives at every street corner; Mexican journalists are regularly intimidated, sometimes murdered. No book until now has rendered so powerfully "the beast within us." Mexico and the United States share one of the longest borders on earth, a line that cuts deeply, divides in two, and leaves a scar that never heals. Bowden's wrath is mine."--Elena Poniatowska, author of Massacre in Mexico

About the Author
Charles Bowden is the author of fourteen books including Blood Orchid: An Unnatural History of America; Desierto: Memories of the Future; Red Line; Blue Desert; and (with Michael Binstein) Trust Me: Charles Keating and the Missing Billions. He is contributing editor of Esquire, and also writes for other magazines such as Harper's and The New York Times Book Review, as well as for newspapers. Recently he won the Lannan Award and the Sidney Hillman Award. He lives in Tucson, Arizona, and is currently at work on a new book entitled, A Borderline Case.

Noam Chomsky has written and lectured widely on linguistics, philosophy, intellectual history, contemporary issues, international affairs, and U.S. foreign policy. His works include: Language and Mind; The Political Economy of Human Rights, Vols. I and II (with E.S. Herman); Rules and Representations; On Power and Ideology; Language and Problems of Knowledge; The Culture of Terrorism; Manufacturing Consent (with E.S. Herman); Necessary Illusions; and Reflection on Propaganda. He has been a professor in the Department of Linguistics and Philosophy at MIT for more than forty years.

Eduardo Galeano is the author of the trilogy Memory of Fire-- Genesis; Faces and Masks; and Century of the Wind-- as well as Open Veins of Latin America; The Book of Embraces; and, most recently, Soccer in Sun and Shadow (Verso). His books have been translated into eighteen languages. He lives in Montevideo, Uruguay, where he was born.

Most helpful customer reviews

91 of 95 people found the following review helpful.
Ground Zero
By Scott Rogerson (JSRgson@aol.com)
Driving south to El Paso you come over a rise and the first thing you see is a vast sprawling city choking the Rio Grande valley. If you were on vacation and had never been there before, you would think El Paso is a much larger city than what your map indicates.
But as you descend further and draw nearer you notice the rat maze of shacks covering the hillside along the valley and realize it looks like no other American city you have ever seen before. Then you grasp the reality.
The hillside is Mexico. The rat maze of shacks is a cardboard colonia. The city, of course, is Ju�rez. Charles Bowden calls it "the laboratory of our future," where free-marketers are loose to test the human and environmental limitations of money.
The North American Free Trade Agreement (NAFTA) just marked five years of no-holds-barred commerce between the US, Canada, and Mexico. According Public Citizen's Global Trade Watch "do-no-harm" test, the pact has failed in every respect.
"NAFTA at 5: A Citizen's Report Card" (12/98) shows failing marks in nine categories ranging from US job creation to economic impact on Mexico. In just five years, "Free Trade" has become synonymous with pollution, poverty, crime, and corruption. Now free trade simply means unfettered foreign investment anywhere that guarantees substandard wages and absolutely no environmental regulations; a place where capital moves freely and labor is held hostage.
All these places, writes Charles Bowden, "...are growing quietly like mold on the skin of the planet."
Nowhere is the impact of free trade more evident than in border cities like Ju�rez, and nobody understands better NAFTA's impact on Ju�rez than Charles Bowden. In Ju�rez: The Laboratory of Our Future, with its 100 disturbing photographs of death and despair, Bowden transforms our first-world dream of the future into a third-world nightmare of reality.
"Politicians and economists speculate about a global economy fueled by free trade. Their speculations are not necessary. In Ju�rez the future is over thirty years old, and there are no questions about its nature that cannot be answered in this city."
In Juarez, with essays by Noam Chomsky and Eduardo Galeano, Bowden reports on the disparate relationship between El Paso and Ju�rez at ground zero, and its compounding effect on the larger alliance between Mexico and the US. It is a sad story that first surfaced in an acclaimed article written for Harper's magazine a couple of years ago. Here Bowden wends his words around the poignant and often brutal images of thirteen Ju�rez "street shooters," a group of unknown guerrilla photojournalists who work for little more than film and the satisfaction of exposing the city's deep malaise.
Charles Bowden's powerful narrative and wry first-person style, combined with these photographs of human and environmental devastation, create a tormenting text. The free-traders in Ju�rez (US-owned multinational corporations) make no qualms about exploiting human labor for a profit, and their NAFTA boosters are quick to point to America's surging economy to justify its sordid history. To paraphrase Bowden, They reluctantly admit to the object, but steadfastly deny any subject or verb.
Today there are more than 300 foreign-owned factories (maquiladoras) employing over 200,000 Mexican workers, mostly women, who work 6 days/48 hours for about $9 per day. (Ironically, under NAFTA, the new jobs created in Ju�rez are almost equal to the high-paying manufacturing jobs lost in America.)
Americans routinely justify these substandard wages with a belief that the cost of living is less in Mexico. In reality, prices in Juarez are 85-90% of those in El Paso, only 50 yards away, where your average Texan earns ten times more.
But jobs and wages at ground zero are just the tip of the iceberg in the maquiladora economy. NAFTA's other promised benefits of prosperity and environmental cleanup have failed miserably. The treaty instead has exacerbated social decay and public-health problems on both sides of the border.
In Ju�rez the petri dish bubbles over with a toxic brew of evil elements that has poisoned an entire city. People seethe with fear of violent gangs, narcotraffickers, smugglers, corrupt cops, and now even US soldiers along the border to help keep NAFTA's mess contained.
"In Ju�rez," Bowden writes, "you cannot sustain hope."
The veracity of Bowden's thesis is born out by Public Citizen's Global Trade Watch report. Ju�rez stands as a scathing indictment of American free-trade policy.

0 of 0 people found the following review helpful.
Five Stars
By ann houston
Love the book

0 of 0 people found the following review helpful.
Five Stars
By Cesar Ramirez
Thanks

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Sport is a growing industry with enormous numbers of people now involved in the management and administration of sports, fitness and exercise. Whether voluntary, public or commercial sectors, all can benefit by improving the practice and delivery of the management of sport and its organisations. This text is designed to help all those delivering sport to deliver it better and includes:

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• Sales Rank: #3579041 in Books
• Published on: 2003-11-21
• Released on: 2003-10-02
• Original language: English
• Number of items: 1
• Dimensions: 9.21" h x .67" w x 6.14" l, 1.00 pounds
• Binding: Paperback
• 296 pages

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The All Seeing Eye 1927, by Manly P. Hall

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This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

• Sales Rank: #1981089 in Books
• Published on: 2010-09-10
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .46" w x 5.98" l, .66 pounds
• Binding: Paperback
• 218 pages

Most helpful customer reviews

0 of 1 people found the following review helpful.
Four Stars
By Ammon Del Merari
really enjoyed this.

See all 1 customer reviews...

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[L599.Ebook] Ebook Download Dante's Divine Comedy, by Seymour Chwast

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The "left-handed designer," Seymour Chwast has been putting his unparalleled take-and influence-on the world of illustration and design for the last half century. In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way.

Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels throughthe afterlife, cataloging a multitude of sinners and saints-many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure-and eventually meeting both God and Lucifer face-to-face.

In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.

• Sales Rank: #1453782 in eBooks
• Published on: 2014-12-16
• Released on: 2014-12-16
• Format: Kindle eBook

Amazon.com Review

The "left-handed designer," Seymour Chwast has been putting his unparalleled take—and influence—on the world of illustration and design for the last half century. In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way.

Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels through the afterlife, cataloging a multitude of sinners and saints—many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure—and eventually meeting both God and Lucifer face-to-face.

In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.

A Look Inside Dante's Divine Comedy: A Graphic Adaptation
(Click on Images to Enlarge)

Second circle of Hell Sins of the flesh The three furies Sixth circle of Hell

From Publishers Weekly
Starred Review. Famed artist and graphic designer Chwast has turned his talents to the graphic novel form for the first time, and we can all be happy about it. In a highly compressed version of Dante's Divine Comedy, Chwast takes us on a whirlwind tour of hell, purgatory, and heaven. With his signature mix of humor, artistry, and high-level design, he conveys a breathtaking amount of information in clear black and white line drawings. One graph illustrates "reasons for different levels of punishment," with sins ranging from "no self-control" (deemed "not so bad") to "insane brutality" (which is "terrible"). In another, the levels and regions of purgatory are laid out in an ascending birthday cake format. Much of the book is beautiful, with page design showing naked sinners tossed in a wind of words, a two-page spread of men and snakes wrapped in writhing battle, or a large flower made of angels as they fly from God. Dante himself is portrayed as a pipe-smoking detective type in sunglasses and a trench coat, while his guide, Virgil, wears a porkpie hat and wire-rimmed spectacles with his suit. It all works seamlessly as Chwast does a stunning job of telling Dante's story in his own brilliant style.
Copyright � Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Although legendary graphic designer and illustrator Chwast is pushing 80, he is still seeking new fields to conquer. For his first graphic novel, he tackles no less daunting a task than adapting Dante’s epic poem into comics format. Chwast hews closely to the original: guided by the Roman poet Virgil, the narrator travels through the circles of hell, meets Lucifer, traverses purgatory, and goes through the spheres of heaven before coming face-to-face with God himself. What Chwast contributes to the tale is an off-kilter, anachronistic approach—Dante is a pipe-smoking mug in a trench coat and shades, and Virgil sports a derby and cane—and, most of all, his distinctively simple, whimsically blunt drawing style and elegantly economical sense of design and composition, which makes each page its own visual treat. Chwast’s straightforward version holds wide appeal for readers wanting an experience less demanding than Dante’s original—it’s a Classics Illustrated with genuine panache—as well as grown-up fans of the 30-plus children’s books that Chwast has designed and illustrated over the years. --Gordon Flagg

Most helpful customer reviews

27 of 30 people found the following review helpful.
More for fans of Chwast's art than of Dante's writing
By Aaron Silverman
As a collection of drawings by an iconic illustrator, this is a great book. Granted, Chwast isn't for everyone, but fans will eat this up. As an adaptation of the Divine Comedy, well, it's OK but slight. Chwast's simple, straightforward black and white line drawings provide visual interpretations of the sights described by Dante, but much of the literary value of the work is lost. References to historical characters and their fates are brief at best. It's more like a simple travelogue. I was hoping for much more detail -- this is basically a quick synopsis. So while I didn't get much of the substance of the Divine Comedy from this, I did enjoy it as an art book.

4 of 4 people found the following review helpful.
As a longtime Chwast fan, I can't resist.
By Jim
I've been a fan of Seymour Chwast's illustration and design since the late sixties, which is when I started studying illustration and design at The School of Visual Arts in NYC. At that time, Push Pin Studios (today the Pushpin Group), which Chwast founded in 1954 with acclaimed graphic designer Milton Glaser, was right around the corner from the school, and I once came this close to getting into a night class taught by Chwast.

As a longtime fan of "the left-handed designer" (I too am left-handed), I find Chwast's graphic, black & white adaptation of Dante's Divine Comedy irresistible. It is funny and I laughed out loud several times when reading it. And it is also poignant; I had tears in my eyes when I read the final words about "the love that moves the sun and other stars." One can read the Divine Comedy from a religious or a secular perspective, and from the latter perspective and perhaps the former as well, it can be read as a story about the human condition. For me, the lightheartedness of Chwast's illustrations serve to offset rather than undermine the gravity of the story (if read as a story about the human condition).

This book will certainly be of interest to other fans of Chwast's work, and I think it would make a nice gift for anyone who is interested in (and/or creates) humorous illustration. Do note that as I mention above, the book is in black & white; only the covers are in color.

6 of 7 people found the following review helpful.
Cliff Notes Dante with Notebook Doodle Illustrations
By Monty Moonlight
Chwast's version of Dante's Divine Comedy is certainly not going to be for everyone. This graphic novel version is, naturally, more about the illustrations than the text, and this is a very not-too-wordy take. What we get is the poet Dante's journey through the afterlife with his spirit guides, the basic story intact, but only the most simplistic dialogue and narration. Still, this manages to be confusing at times in part by Chwast's choice to dress the characters as though they are from the 20th Century. In my opinion, the medieval man's point of view of a journey through Hell, Purgatory, and Paradise is bizarre enough, even when the dialogue is thoroughly dumbed down, without the need for making it more confusing by illustrating a flashback to the crusades with Sherman tanks and WWII soldiers. Well, that's just my opinion. It's still easy to follow and probably easier to understand than the original work, and though it's 127 pages (black and white), it's a VERY quick read. My biggest disappointment is with the art, and I shudder to go into this, being a much less successful cartoonist/illustrator myself. The art here is consistent, which is tricky no matter what your style, but the style itself, I don't know how to put it except to say it looks like a kid drew the whole thing. I look back on the first graphic novel I illustrated, and as much as I hate to see that crude example of my early work (and as harsh as I am on my current work), one thing I can say about the art here is that it really makes me feel good about my poorest creations and gives me hope for the future, when it doesn't flat out make me mad that I so rarely land a paying gig while this stuff sells.

At any rate, if you are in the market for a simple version of Dante's Divine Comedy, this is... an option. I can't say it's the best option. It may well be, but I don't know what else is out there for that. Look into what his, and keep this one in mind since it may be the simplest version out there, but don't be surprised at the underwhelming feeling you get when you receive your copy and open it up.

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